
LAS VOCES DE ELLAS





VALENTINA PRIETO
A spoken-word poem introduces the EP's main narrative through three moments: vulnerability, emptiness, and recovery. A string quartet underpins the piece's atmosphere, while the voices of grandmother, mother, and daughter represent different generations within the same story. The musical simplicity prioritizes the expressiveness of the voices and sets the stage for the emotional development of the following tracks.
INTIMATE NARRATIVE + SPOKEN POETRY
see
MEMORY × SILENCE × WOUND
LO QUE NOS HICIERON






VALENTINA PRIETO
Based on a personal experience, the song explores the despair, loneliness, and confusion left by gender-based violence. The composition combines a string quartet, sound design, and sound effects to create an intimate and narrative atmosphere. The lyrics expose the vulnerability many women experience, providing emotional and conceptual continuity to the EP's journey.
SOUND DESIGN + EMOTIONAL IMMERSION
PAIN × VULNERABILITY × RESISTANCE
see
NUESTRAS VOCES





VALENTINA PRIETO
This track marks the turning point of the EP, initiating the journey toward recovery after the violence and vulnerability presented in the previous songs. The music incorporates rhythm and energy as a symbol of strength and transformation, while the lyrics leave the past behind to focus on the search for balance and personal rebuilding. Each musical element represents a step forward, preparing the emotional and conceptual conclusion of the EP.
PATH × HOPE × TRANSFORMATION
see
RECONSTRUCTION × FORCE × MOVEMENT
RENACER






VALENTINA PRIETO
The EP's final track represents the arrival after the storm: a space of strength, unity, and sisterhood built from the pain. The composition blends vibrant Afrobeat with percussion from the Colombian Pacific, creating a sense of freedom and transformation. The lyrics become a song of self-love, support, and collective strength, closing the EP's emotional journey with healing and hope.
CONCEPTUAL + CINEMATIC EXPERIENCE
TRANSFORMATION × FREEDOM × HEALING
see