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SOUND UNIVERSE                   las voces de ellas                     Elements that compose it

Narrated Voices
00:00 / 01:04

Voices

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STRINGS
00:00 / 02:34

Strings

SOUND DESING
00:00 / 01:04

Design

The poem is structured as a chronological journey through abuse and its effects, where the voice traverses different emotional and generational stages. The narrative begins with the wound and confusion—"it's a difficult path"—exposing the abuser's manipulation and the internal fracture left by the violence. Later, a second voice appears: "but they say you're not alone," revealing the contradictions of a society that pretends to offer support while simultaneously silencing and revictimizing.

In the final part, a collective affirmation emerges —“we are the witches they couldn’t burn”— that transforms the story into an act of resistance, memory, and recovery of the voice, taking the poem from vulnerability to collective empowerment.

It is composed of a string arrangement, which gives a melancholic tint, however it is planned to distort them in the mix, several keyboards, which intend to give a confusing atmosphere given the concept and also give a harmonic base, there is an organ at the end where its purpose is the sound of death, acoustic piano, of melancholy and harmonic base, drums, which are linked with the heartbeat that give a base with a lot of force and punch like daggers vocal arrangement that intends to be a harmonic cushion and give movement to the main voice.

The sound design was built around the feelings that accompany the emotional development of the song, primarily using the heart and the sea as narrative elements. The heartbeat begins agitated and, as the melody and lyrics progress, begins to slow down, reflecting the emotional journey of the voice within the composition. Similarly, the sea initially appears calm and gradually transforms until it becomes more intense and turbulent at the narrative's most powerful point.

The sound design accompanies and amplifies the development of the instruments, reinforcing the tension and emotional impact of the piece. Towards the end, the track concludes once again with the sea and the heart, but this time with a faster heartbeat, a more aggressive sea, and a delayed-processed vocal note that serves as a transition and introduction to the next track on the EP.

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Artists


ALYOSHA - Singer

Alexandra Rondon Daza - Voice

Nubia Daza Paredes - Voice

Maria Paula Casas - Cellist

Maria Camila Muñoz - Violinist

Daniela Ardila - Violinist

Valentina Camacho - Violist

Research topics

Memory

Trauma

Female voices

Emotional narratives

Sound identity

Collective healing

Creative Responsibilities

Narrative development

Storytelling

Development of sound identity

Interdisciplinary artistic research

Conceptual development

Creative direction

Original musical composition

Vocal direction and production

Sound design

Recording

Mix

Audiovisual conceptualization

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